Catch me if you can: Film Archiving in Motion

In this first post, we would like to question the truthfulness of this representation and look at its underlying rationale. Our intention is thereby to open up a space to discuss future opportunities for the film archiving community: how come a profession that takes pride in preserving the medium of movement has come to adopt such a static identity? More importantly, what can we do to make sure that the field always remains in motion, advancing at society’s pace?

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